Sandra Boeschenstein
The immediacy of drawing is the premise for a simultaneous exploration and observation of the transitions between perception and thought. I focus on these transitions, working with images as a primary means of knowledge – not in terms of a stable meaning but a cluster of meanings. I am looking for alternatives to the static […]
Martha Colburn
In my work so far, I have used the language and materials of filmmaking to comment on popular culture, history, politics and sexuality. I have mainly focused on contemporary topics, which I tackle through a montage of techniques combining live action, animation and found footage. My work consists of elaborately layered collages, works on paper, […]
Prajakta Potnis
In her practice, which ranges from painting and site-specific installations to public art interventions, Prajakta Potnis effortlessly weaves together the complexities of emotions and the reality of today’s society. Her work oscillates between the intimate world of the individual and the world outside – two spheres which are sometimes separated only by a wall. In […]
Kaori Yamashita
When I capture an ordinary moment as an image of the world, the joints supporting daily life begin to wobble and connections between objects start to collapse. My art resides at the border of the known –things that are identified by signs or languages– and the unknown. The uncertainties of contemporary societies gives me an […]
Karen Mahaffy
I endeavor to produce works that capture the extraordinary contained within the ordinary, with the express intent of questioning our capacity to recognise it. I seek to articulate and employ the seemingly insignificant elements that exist within and between familiar places, objects and actions and in particular, to examine how evidence of place and time […]
Tanja Koljonen
I work with found objects and fragments of text. Found objects often draw my attention when they contain traces of human use. I interpret an idea and isolate objects from their original function. I may leave the object as I found it or cut it, cover it up and rearrange it. As photographs my works […]
Deok Yeoung Gim
The intrusion of latent, oppressed, heterogeneous and unfamiliar things in everyday life triggers feelings of uneasiness and uncertainty: suddenly everything seems dubious and out of control. My work is about coexistence of inside and outside, surface and mass. These opposites coexist in various manifestations as parasites of each other. They can at times reveal their hidden […]
Deok Yeoung Gim
‘Things that are latent and oppressed, heterogeneous and unfamiliar make ordinary life feel uneasy and unstable as they burst out at certain moment. They make ordinary life all dubious and uncontrollable.’ My work is about coexistence of inside and outside, surface and mass. These two opposite characteristics coexist in various forms like parasite to each […]
Martha Colburn
In my work thus far, I have used the language and materials of filmmaking to comment on popular culture, history, politics and sexuality. My primary focus was on contemporary topics through a montage of techniques combining live action, animation and found footage. I create elaborately layered, collages, works on paper, paintings and installations, writing and […]
Martha Colburn
In meiner bisherigen Arbeit habe ich Sprache und Materialien des Films genutzt, um Pop-Kultur, Geschichte, Politik und Sexualität zu kommentieren. Dabei lege ich den Fokus vor allem auf zeitgenössische Themen, die ich anhand einer Montage verschiedener Techniken untersuche, mit deren Hilfe ich Live-Aktionen, Animationen und gefundenes Filmmaterial miteinander verbinde. Meine Arbeit besteht aus vielschichtigen Collagen, […]