Masashi Echigo
Art to me is a tool that connects me to the world. My work is born out of the intermittent interaction I have with others and society. In fact, I am primarily interested in its process as a catalyst for creation. The approach I have taken in the past few years has been to travel, […]
Emma W. Howes
Emma Waltraud Howes’ working process is influenced by a reverence for the ‘Theatre of the Absurd’. Her projects are articulate gesticulations informed by a background in Dance, Performance Theory, and a formal training in the Visual Arts. Her process-based research is guided by observations on contemporary gestures and the history of their production and manifest as choreographed multiple reconfigurations […]
Hans Kristian Borchgrevink Hansen
Hans Kristian Borchgrevink Hansen grew up in the woods by the norwegian/swedish border and learnt some of the principles of cut-out animation in Lofoten. This led to films like The Breakfast Eater and later on Washing, boiling, cutting, wall-to-wall carpet, vacuuming and ice fishing, both distinctly quotidian with a more and more diluted dramaturgy. Where […]
Priscila Fernandes
Priscila Fernandes is an artist whose work currently focuses on the transmission of knowledge, didactics and the ideologies dictating varying forms of education. Specifically ideologies associated with play, creativity and productivity in contemporary society; buzz words whose contextual meanings often overlap. Fernandes is particularly interested in this conflation of meaning; especially when used as instruments […]
Eva Olthof
In recent years my work has been focusing on questions around the photographic image in relation to the unseen or the unperceivable. Questioning truthfulness and the contingency of memory and history play an important role in my work, as well as raising thoughts and questions about the documentary image versus the imaginary. Specific locations are […]
Ron Tran
Ron Tran’s art practice is more ethereal than tangible and resides as much in the imagination of the audience as it does in the gestures of artistic process and the actual material outcome. It is like living without a front door, leaving one vulnerable and exposed, but also open to new encounters. This scenario literally […]
Sofia Bäcklund
Different ways of connecting to the world. Strategies for getting involved. Physical matter is a means for me to work with these problems. Every person is only one and one’s time is restricted – this is an interesting point of departure. It has a lot to do with limits, fighting to overcome them and struggling […]
Cathy Cunningham-Little
In meinen aktuellen Werken fordere ich den Betrachter auf, seine vorgefassten Begriffe des Realen und Irrealen zu überdenken. Ich untersuche mit minimalen Materialien Phänomene der Erkenntnis, um vergängliche Bilder aus gefärbten Schatten und Spiegelungen zu produzieren. Die Reflexionen der Glasscherben sind Spiegelbilder der übertragenen Farben, sie sind jedoch nicht identisch. Sie bilden asymmetrische Formen, wobei […]
Tibor Horváth
Tibor Horváth‘s works have been characterized by radical taboo-subverting, and sometimes provocation-laden, institutional and social critique. In addition to the genres of graphics, photography, video and installation, his works are often realized in actions as well as various fictional and operational institutions. As his main weapons, Horváth operates with irony, persiflage, intentional misreadings and reinterpretation. […]
Alona Rodeh
Born in 1979 in Israel, Alona Rodeh is a 2009 Graduate of the Bezalel Academy MFA program, Tel Aviv, including exchange studies at RCA’s Sculpture department, London. Her diverse practice comprise on a wide range of media: often working with sound and music, lights and stage/cinematic effects, Rodeh constructs time-based installations, which can be described as “performance without […]