1.0Bethanienhttps://bethanien.de/en/MaxRauschenbachhttps://bethanien.de/en/author/maxrauschenbach/rich600338<blockquote class="wp-embedded-content" data-secret="U30agIu2IU"><a href="https://bethanien.de/en/artists/iden-sungyoung-kim/">Iden Sungyoung Kim</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://bethanien.de/en/artists/iden-sungyoung-kim/embed/#?secret=U30agIu2IU" width="600" height="338" title="“Iden Sungyoung Kim” — Bethanien" data-secret="U30agIu2IU" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://bethanien.de/wp-includes/js/wp-embed.min.js </script> In her work, Iden Sungyoung Kim explores the complex political, social and ethical dimensions of nuclear technology and armament. Since 2017, the artist has been developing projects at the intersection of field research, archival work and artistic intervention: archive-based and analog photography, video and spatial installation, lecture performance and experimental documentation. Her artistic language combines […]https://bethanien.de/wp-content/uploads/2022/11/cropped-Favicon_512x512.png512512