1.0Bethanienhttps://bethanien.de/en/thorstenhttps://bethanien.de/en/author/thorsten/MARÍA DALBERG - Bethanien %rich600338<blockquote class="wp-embedded-content" data-secret="Jixsw23FiG"><a href="https://bethanien.de/en/exhibitions/maria-dalberg-2/">MARÍA DALBERG</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://bethanien.de/en/exhibitions/maria-dalberg-2/embed/#?secret=Jixsw23FiG" width="600" height="338" title="“MARÍA DALBERG” — Bethanien" data-secret="Jixsw23FiG" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script>
/*! This file is auto-generated */
!function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document);
//# sourceURL=https://bethanien.de/wp-includes/js/wp-embed.min.js
</script>
María Dalberg’s video piece Uncontainable truth (2021) is at the centre of her first solo exhibition in Berlin, which bears the same title. In her practice, she often uses artefacts and archival work, collects historical accounts, writes fictional and non-fictional texts, and makes use of her autobiographical writing and field recordings. For the exhibition at […]https://bethanien.de/wp-content/uploads/2022/11/cropped-Favicon_512x512.png512512