{"version":"1.0","provider_name":"Bethanien","provider_url":"https:\/\/bethanien.de\/en\/","author_name":"thorsten","author_url":"https:\/\/bethanien.de\/en\/author\/thorsten\/","title":"DISSONANCE. Platform Germany - Bethanien","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"pmwV7aPC9C\"><a href=\"https:\/\/bethanien.de\/en\/publications\/dissonance-platform-germany\/\">DISSONANCE. Platform Germany<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/bethanien.de\/en\/publications\/dissonance-platform-germany\/embed\/#?secret=pmwV7aPC9C\" width=\"600\" height=\"338\" title=\"&#8220;DISSONANCE. Platform Germany&#8221; &#8212; Bethanien\" data-secret=\"pmwV7aPC9C\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/bethanien.de\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"Post-reunification Germany has emerged as an important forum for international painting. The generation of artists born in the 1970s and 1980s eschew alignment with collective tendencies and resist clearly definable influences. Meanwhile, their art has registered the cultural and sociological dislocations and divergences since the fall of the Iron Curtain with seismographic precision. The editors [&hellip;]","thumbnail_url":"https:\/\/bethanien.de\/wp-content\/uploads\/2022\/11\/cropped-Favicon_512x512.png","thumbnail_width":512,"thumbnail_height":512}