{"id":49844,"date":"2026-05-06T12:49:45","date_gmt":"2026-05-06T12:49:45","guid":{"rendered":"https:\/\/bethanien.de\/artists\/melanie-ubaldo\/"},"modified":"2026-05-11T14:35:37","modified_gmt":"2026-05-11T14:35:37","slug":"melanie-ubaldo","status":"publish","type":"kb_artist","link":"https:\/\/bethanien.de\/en\/artists\/melanie-ubaldo\/","title":{"rendered":"Melanie Ubaldo"},"content":{"rendered":"<p>Melanie Ubaldo refers to her works as \u201emonuments to unbelonging\u201c, a term through which she reflects on questions of belonging, displacement, and identity within contemporary social and political contexts. Her artistic practice engages with intersectionality through the lens of autobiography. The mutuality of art and life is inescapable within her work: personal misfortunes, memories, and tragedies are explored in relation to broader societal discourses surrounding racism, identity, migration, and the experience of unbelonging.<\/p>\n<p>Working across painting, installation, and large-scale spatial interventions, Melanie Ubaldo addresses questions of power, prejudice, displacement, immigration, memory, grief, and cultural inheritance. While often monumental in scale, many of her works retain a sense of sensitivity, as well as a precise and at times subtle humour in their engagement with these subjects. Her practice continuously negotiates the tension between visibility and withdrawal, intimacy and monumentality, as well as personal narratives and collective forms of historiography.<\/p>\n<p>Alongside her individual practice, Melanie Ubaldo is a co-founder of <em>Lucky 3<\/em>, a collective of Icelandic artists of Filipino origins. Their collaborative work engages with questions of migration, belonging, labour, memory, and diasporic experience. Through both collective and individual practices, Melanie Ubaldo opens spaces for reflection on identity, community, and the complexities of cultural hybridity.<\/p>\n","protected":false},"template":"","categories":[],"class_list":["post-49844","kb_artist","type-kb_artist","status-publish","hentry"],"acf":{"article_image":49841,"article_image_bu_de":"Melanie Ubaldo, Talk Dirty to Me, 2022, Foto: Claudia Hausfeld","article_image_bu_en":"Melanie Ubaldo, Talk Dirty to Me, 2022, photo: Claudia Hausfeld","datum_suche":"2026-05-06 00:00:00"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Melanie Ubaldo - Bethanien<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bethanien.de\/en\/artists\/melanie-ubaldo\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Melanie Ubaldo - Bethanien\" \/>\n<meta property=\"og:description\" content=\"Melanie Ubaldo refers to her works as \u201emonuments to unbelonging\u201c, a term through which she reflects on questions of belonging, displacement, and identity within contemporary social and political contexts. Her artistic practice engages with intersectionality through the lens of autobiography. 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