{"id":8303,"date":"2013-05-10T14:51:20","date_gmt":"2013-05-10T14:51:20","guid":{"rendered":"https:\/\/zen-morse.176-96-136-90.plesk.page\/?post_type=kb_artist&#038;p=8303"},"modified":"2014-05-07T15:05:52","modified_gmt":"2014-05-07T15:05:52","slug":"carla-zaccagnini","status":"publish","type":"kb_artist","link":"https:\/\/bethanien.de\/en\/artists\/carla-zaccagnini\/","title":{"rendered":"Carla Zaccagnini"},"content":{"rendered":"<p>It\u2019s not easy to define a common ground to my artistic practice. There are some recurrent subjects, even some obsessions that permeate my research. But the matters I am interested in can be detected in different contexts and assume different forms. My practice is thus characterized by a flexible usage of medias and strategies that vary according to the needs raised by each project.<\/p>\n<p>In a general way, though, there is an approach that can be seen as a common denominator, something I would call \u2018displacement operations\u2019. The idea of displacement can take a more literal aspect, as it happens in works like \u201cPercurso otico\u201d (in which the image of a painting is relocated by means of a mirror game) or \u201cBRAVO&#8230;\u201d (in which my own dislocation is central to the construction of the video). But displacement can also be understood as disturbance, by proposing approximations between different objects or situations; or by slightly changing characteristics of familiar elements in such a way that these moves create new meaning. This kind of detours or deviation can be seen, for instance, in \u201cJogo transparente\u201d, a set of transparent playing cards with which one can play any known game (or any invented one) excluding the possibility of bluff.<\/p>\n","protected":false},"template":"","categories":[],"class_list":["post-8303","kb_artist","type-kb_artist","status-publish","hentry"],"acf":{"article_image":8301,"article_image_bu_de":"Bravo-Radio-Atlas-Virus-Opera, 2009-10; Videoaufzeichnungen der Navigation einer \u00dcberquerung des Panamakanals, in Richtung Atlantik-Pazifik, realisiert zwischen 17 Uhr am 27. Juni 2009 und 13 Uhr am folgenden Tag sowie Wandmalerei; Dauer: 10h45'; Skipper: Matias Eli; Editor: Tomaz Klotzel; Video-still","article_image_bu_en":"Bravo-Radio-Atlas-Virus-Opera, 2009-10; Video record of the navigating hours of a trans-oceanic crossing of the Panama Canal, in Atlantic-Pacific direction, realized between 5PM on June 27 2009 and 1PM the following day; and painting on wall; duration: 10h45'; Captain: Matias Eli; Edition: Tomaz Klotzel; video-still","datum_suche":"2013-05-10 14:51:20"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Carla Zaccagnini - Bethanien<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bethanien.de\/en\/artists\/carla-zaccagnini\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Carla Zaccagnini - Bethanien\" \/>\n<meta property=\"og:description\" content=\"It\u2019s not easy to define a common ground to my artistic practice. 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