There is no term commonly used in art history that might be applied to Jorge Queiroz\u2019 works. His often large-format artworks on paper integrate different materials, and they are neither sketch-like preparation for later work, nor do they represent self-contained artistic products in themselves. The fifty new works that he is showing at the K\u00fcnstlerhaus are thus pointers to an artist\u2019s book that he is producing at present, without simply being preparatory sketches \u2013 at the same time, however, the book is only one of several components, and subordinate to the overall project. In this way, Queiroz rejects traditional interpretations and narrative structures, and the viewer\u2019s imagination is granted a free rein by the composite beings – oscillating somewhere between man, animal and plant – that he is occasionally able to discern in the artist\u2019s drawings.<\/p>\n","protected":false},"template":"","categories":[],"class_list":["post-12806","kb_exhibition","type-kb_exhibition","status-publish","hentry"],"acf":{"article_image":16087,"article_image_bu_de":"","article_image_bu_en":"","datum_suche":"2014-07-15 11:19:39"},"yoast_head":"\n