{"id":12826,"date":"2014-07-15T11:39:09","date_gmt":"2014-07-15T11:39:09","guid":{"rendered":"https:\/\/zen-morse.176-96-136-90.plesk.page\/?post_type=kb_exhibition&#038;p=12826"},"modified":"2014-07-15T11:39:22","modified_gmt":"2014-07-15T11:39:22","slug":"evanthia-tsantila","status":"publish","type":"kb_exhibition","link":"https:\/\/bethanien.de\/en\/exhibitions\/evanthia-tsantila\/","title":{"rendered":"Evanthia Tsantila"},"content":{"rendered":"<p>In Studio 2 of the K\u00fcnstlerhaus, Evanthia Tsantila is projecting her highly subjective adaptation of a classic of film history. She has transposed Ingmar Bergman\u2019s \u201cThe Silence\u201c (1962) into her own video version \u2013 composed as a series of excerpts &#8211; and into a group of large-format drawings that lend a new autonomy to the artistic-cinematic image. The brush and ink drawings can only be truly grasped after more exact observation and from a certain distance, and they thus follow up one of the artist\u2019s fundamental interests \u2013 an analysis of the relationship between the art object and its reception.<\/p>\n<p>Having started out as a painter, early on in her artistic career Tsantila had already begun to concern herself with the different media outside the field of fine art and to transform pictorial objects from one medium into another. Most recently, her Biennial installation also questioned the recipient\u2019s expectations of a conventional, self-contained exhibition space by confronting him with an entirely immaterial light installation.<\/p>\n","protected":false},"template":"","categories":[],"class_list":["post-12826","kb_exhibition","type-kb_exhibition","status-publish","hentry"],"acf":{"article_image":16165,"article_image_bu_de":"","article_image_bu_en":"","datum_suche":"2014-07-15 11:39:09"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Evanthia Tsantila - Bethanien %<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bethanien.de\/en\/exhibitions\/evanthia-tsantila\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Evanthia Tsantila - Bethanien %\" \/>\n<meta property=\"og:description\" content=\"In Studio 2 of the K\u00fcnstlerhaus, Evanthia Tsantila is projecting her highly subjective adaptation of a classic of film history. She has transposed Ingmar Bergman\u2019s \u201cThe Silence\u201c (1962) into her own video version \u2013 composed as a series of excerpts &#8211; and into a group of large-format drawings that lend a new autonomy to the [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/bethanien.de\/en\/exhibitions\/evanthia-tsantila\/\" \/>\n<meta property=\"og:site_name\" content=\"Bethanien\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/kuenstlerhausbethanien\" \/>\n<meta property=\"article:modified_time\" content=\"2014-07-15T11:39:22+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/bethanien.de\/wp-content\/uploads\/2022\/11\/cropped-Favicon_512x512.png\" \/>\n\t<meta property=\"og:image:width\" content=\"512\" \/>\n\t<meta property=\"og:image:height\" content=\"512\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/bethanien.de\\\/en\\\/exhibitions\\\/evanthia-tsantila\\\/\",\"url\":\"https:\\\/\\\/bethanien.de\\\/en\\\/exhibitions\\\/evanthia-tsantila\\\/\",\"name\":\"Evanthia Tsantila - Bethanien %\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/bethanien.de\\\/#website\"},\"datePublished\":\"2014-07-15T11:39:09+00:00\",\"dateModified\":\"2014-07-15T11:39:22+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/bethanien.de\\\/en\\\/exhibitions\\\/evanthia-tsantila\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/bethanien.de\\\/en\\\/exhibitions\\\/evanthia-tsantila\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/bethanien.de\\\/en\\\/exhibitions\\\/evanthia-tsantila\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Startseite\",\"item\":\"https:\\\/\\\/bethanien.de\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Ausstellungen\",\"item\":\"https:\\\/\\\/bethanien.de\\\/exhibitions\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Evanthia Tsantila\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/bethanien.de\\\/#website\",\"url\":\"https:\\\/\\\/bethanien.de\\\/\",\"name\":\"K\u00fcnstlerhaus Bethanien\",\"description\":\"Das K\u00fcnstlerhaus Bethanien bietet ein Netzwerk, das den internationalen Kulturaustausch st\u00e4rkt und Berlin als Zentrum der zeitgen\u00f6ssischen Kunst weiter etabliert.\",\"publisher\":{\"@id\":\"https:\\\/\\\/bethanien.de\\\/#organization\"},\"alternateName\":\"KB\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/bethanien.de\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/bethanien.de\\\/#organization\",\"name\":\"K\u00fcnstlerhaus Bethanien\",\"url\":\"https:\\\/\\\/bethanien.de\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/bethanien.de\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/bethanien.de\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/cropped-Favicon_512x512.png\",\"contentUrl\":\"https:\\\/\\\/bethanien.de\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/cropped-Favicon_512x512.png\",\"width\":512,\"height\":512,\"caption\":\"K\u00fcnstlerhaus Bethanien\"},\"image\":{\"@id\":\"https:\\\/\\\/bethanien.de\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/kuenstlerhausbethanien\",\"https:\\\/\\\/www.instagram.com\\\/kuenstlerhaus.bethanien\\\/\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Evanthia Tsantila - Bethanien %","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/bethanien.de\/en\/exhibitions\/evanthia-tsantila\/","og_locale":"en_US","og_type":"article","og_title":"Evanthia Tsantila - Bethanien %","og_description":"In Studio 2 of the K\u00fcnstlerhaus, Evanthia Tsantila is projecting her highly subjective adaptation of a classic of film history. 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