{"id":18774,"date":"2015-08-05T13:15:21","date_gmt":"2015-08-05T13:15:21","guid":{"rendered":"https:\/\/zen-morse.176-96-136-90.plesk.page\/?post_type=kb_exhibition&#038;p=18774"},"modified":"2015-08-27T10:26:34","modified_gmt":"2015-08-27T10:26:34","slug":"khvay-samnang","status":"publish","type":"kb_exhibition","link":"https:\/\/bethanien.de\/en\/exhibitions\/khvay-samnang\/","title":{"rendered":"Khvay Samnang"},"content":{"rendered":"<p>Khvay Samnang\u2019s multidisciplinary practice offers new views on historic and current events as well as on traditional cultural rituals using humorous symbolic gestures. In his performances, videos and photographs he focuses on the humanitarian and ecological impacts of colonialism and globalization, primarily on the issues of expropriation and unrestrained growth in Cambodia.<br \/>\nIn his installation <em>Footprints of Yantra Man<\/em> at K\u00fcnst-<br \/>\nlerhaus Bethanien the artist uses for the first time sculpture and drawings: A life-size metal armour, long panels of red cloth, and a giant cotton string bound with metal plates are all patterned by the artist with various elements referring to political and personal histories between Europe and Cambodia, spirituality and superstition and power and war.<br \/>\nThe engravings are inspired by sacred drawings (yantra) and tattoos (sak yant), used traditionally in Southeast Asia to bestow magical power and protection, and the cotton string (katha) points to traditional Hindu amulets worn on the body for the same purpose.<br \/>\nKhvay uses these elements of the Cambodian belief system as subtle gestures of resistance against histories and continuities of colonial domination and oppression, but also as tongue-in-cheek attributes of the artist\u2019s body, whose measurements and traces are within each work.<\/p>\n<p>Khvay Samnang is currently receiving a fellowship from the KfW Stiftung, Frankfurt a. M.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"template":"","categories":[],"class_list":["post-18774","kb_exhibition","type-kb_exhibition","status-publish","hentry"],"acf":{"article_image":18771,"article_image_bu_de":"","article_image_bu_en":"","datum_suche":"2015-08-05 13:15:21"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Khvay Samnang - Bethanien %<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bethanien.de\/en\/exhibitions\/khvay-samnang\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Khvay Samnang - Bethanien %\" \/>\n<meta property=\"og:description\" content=\"Khvay Samnang\u2019s multidisciplinary practice offers new views on historic and current events as well as on traditional cultural rituals using humorous symbolic gestures. In his performances, videos and photographs he focuses on the humanitarian and ecological impacts of colonialism and globalization, primarily on the issues of expropriation and unrestrained growth in Cambodia. 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