{"id":19748,"date":"2016-02-15T16:33:02","date_gmt":"2016-02-15T16:33:02","guid":{"rendered":"https:\/\/zen-morse.176-96-136-90.plesk.page\/?post_type=kb_exhibition&p=19748"},"modified":"2016-02-15T16:51:49","modified_gmt":"2016-02-15T16:51:49","slug":"window-display-17","status":"publish","type":"kb_exhibition","link":"https:\/\/bethanien.de\/en\/exhibitions\/window-display-17\/","title":{"rendered":"Window Display"},"content":{"rendered":"

Property Division (Traversing Terrain)
\n<\/strong><\/em>USA 2014,\u00a03:55 min<\/p>\n

Virtual markings disaggregate our modern world. Their multifaceted transitions into reality are often aligned to borders, houses, streets or construction sites. In the US there is an additional system of neon spray marks, reflecting infrastructural divisions and temporal developments of property.
\nBut its complex color code is going beyond pure parceling, illustrating the danger of electrical and telecommunication lines as well as gas pipes buried in the ground. This offers a short glimpse into the invisible restructuring processes, that traverse the country and that reshape our planet in the comparatively short timescales.<\/p>\n

Cristopher Cichocki<\/strong>, *1979, lives and works in Coachella Valley, California, USA |\u00a0www.cristophersea.com<\/a><\/p>\n

The on-going screening series\u00a0Phantom Horizons<\/em>\u00a0presents digital as well as analogue works that question the paradigm of\u00a0linear perspective<\/em>, seeking for a new kind of \u201cstatus perspective<\/em>\u201d [Bedeutungsperspektive<\/em>]. The latter was a development of medieval painting, in which the size of figures is determined by their hierarchical significance. Extending this approach with deconstructivistic ideas and contemporary possibilities of film creation, the presented works open up multifaceted, unseen horizons.
\nCurated by Robert Seidel |\u00a0www.robertseidel.com<\/a><\/p>\n

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