{"id":20104,"date":"2016-03-30T09:54:20","date_gmt":"2016-03-30T09:54:20","guid":{"rendered":"https:\/\/zen-morse.176-96-136-90.plesk.page\/?post_type=kb_exhibition&p=20104"},"modified":"2016-03-30T10:06:32","modified_gmt":"2016-03-30T10:06:32","slug":"window-display-18","status":"publish","type":"kb_exhibition","link":"https:\/\/bethanien.de\/en\/exhibitions\/window-display-18\/","title":{"rendered":"Window Display"},"content":{"rendered":"

Proofs
\n<\/em><\/strong>USA 2015, 2:33 min<\/p>\n

The work by Keaton Fox investigates the fragility of human perception in the digital age by questioning the interaction of visual representation and their preservation strategies. Cameras as well as mirrors are important devices used to compartmentalize our overwhelming reality \u2013 feeding our contracting attention spans to create a numbing sense of trust. We grow accustomed to this filtered perception and its rigid gaze, but the slightest offset in such an elusive system opens horizons that are drifting out of focus. Merely a shattered reality remains, occluding the actual intrusion vector and the extent of damage within the supervising structure.
\nKeaton Fox<\/strong>, *1992, lives and works in Detroit, USA
\nwww.foxnamedkeaton.com<\/a><\/p>\n

\n

The on-going screening series\u00a0Phantom Horizons<\/em>\u00a0presents digital as well as analogue works that question the paradigm of\u00a0linear perspective<\/em>, seeking for a new kind of “status perspective”<\/em>\u00a0[Bedeutungsperspektive<\/em>]. The latter was a development of medieval painting, in which the size of figures is determined by their hierarchical significance. Extending this approach with deconstructivistic ideas and contemporary possibilities of film creation, the presented works open up multifaceted, unseen horizons.
\nCurated by Robert Seidel |\u00a0www.robertseidel.com<\/a><\/p>\n<\/div>\n","protected":false},"template":"","categories":[],"class_list":["post-20104","kb_exhibition","type-kb_exhibition","status-publish","hentry"],"acf":{"article_image":20100,"article_image_bu_de":"","article_image_bu_en":"","datum_suche":"2016-03-30 09:54:20"},"yoast_head":"\nWindow Display - Bethanien %<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bethanien.de\/en\/exhibitions\/window-display-18\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Window Display - Bethanien %\" \/>\n<meta property=\"og:description\" content=\"Proofs USA 2015, 2:33 min The work by Keaton Fox investigates the fragility of human perception in the digital age by questioning the interaction of visual representation and their preservation strategies. 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