{"id":22613,"date":"2017-09-20T12:03:42","date_gmt":"2017-09-20T12:03:42","guid":{"rendered":"https:\/\/zen-morse.176-96-136-90.plesk.page\/en\/?post_type=kb_exhibition&#038;p=22613"},"modified":"2017-10-05T09:54:02","modified_gmt":"2017-10-05T09:54:02","slug":"igor-jesus","status":"publish","type":"kb_exhibition","link":"https:\/\/bethanien.de\/en\/exhibitions\/igor-jesus\/","title":{"rendered":"Igor Jesus"},"content":{"rendered":"<p class=\"p1\"><span class=\"s1\">At K\u00fcnstlerhaus Bethanien Igor Jesus is showing a spatial installation, in which three video projections <\/span><span class=\"s1\">and several floor-based sculptures merge into a conceptual entity. The project\u00a0 investigates the human body divested of identity and degraded into an object on the basis of the film <\/span><em><span class=\"s2\">The 120 Days of Sodom <\/span><\/em><span class=\"s1\">(1975), the last, highly controversial work by director Pier Paolo Pasolini.\u00a0<\/span><span class=\"s1\">In his work, Jesus sheds light on the way in which, in the cinematic representation, human bodies are robbed of their self-control and subjugated, turned into mere objects with the help of the camera.<br \/>\n<\/span><span class=\"s1\">Jesus succeeded, after protracted research,\u00a0in locating the whereabouts of actors Umberto Chessari and Bruno Musso \u2013 who played, as young men, the slaves in Pasolini&#8217;s film \u2013 and bringing them back in front of a camera. The actors&#8217; bodies, or rather the brief, choppy glimpses of them offered by strobe lighting are omnipresent in Jesus\u2019s installation. He draws the viewer into a kind of visual vortex, in which bodies become image fragments and body fragments become images. This strategy of re-appropriation and transfer into a new artistic context enables Jesus&#8217;s work to liberate the bodies that were heedlessly exploited and discarded objects in Pasolini&#8217;s film, giving them back their dignity and self-determination.<\/span><\/p>\n","protected":false},"template":"","categories":[],"class_list":["post-22613","kb_exhibition","type-kb_exhibition","status-publish","hentry"],"acf":{"article_image":22574,"article_image_bu_de":"","article_image_bu_en":"","datum_suche":"2017-09-20 12:03:42"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Igor Jesus - Bethanien %<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bethanien.de\/en\/exhibitions\/igor-jesus\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Igor Jesus - Bethanien %\" \/>\n<meta property=\"og:description\" content=\"At K\u00fcnstlerhaus Bethanien Igor Jesus is showing a spatial installation, in which three video projections and several floor-based sculptures merge into a conceptual entity. 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