In her drawings, installations, performances, and videos Ylva Westerlund explores various scientific models of knowledge. By assuming alternate roles she switches between the artist-as- researcher to the subject of study itself. Westerlund\u2019s work is influenced by her interests in social studies, post-structuralist feminism, and monsters.\u00a0In the exhibition\u00a0Evolutionary throwback\u00a0Ylva Westerlund weaves a visual net, which oscillates between the past, present, and future of human evolution. Inspired by a visit to Berlin’s Natural History Museum \u2013 Leibniz Institute for Research on Evolution and Biodiversity and their displays of casts representing homo sapiens’ ancestor australopithecus anamensis,\u00a0who has been extinct for four million years. Westerlund developed a complex multi-media installation presented as subjective scientific research. A part of it is her video\u00a0Evolutionary throwback\u00a0(2012). A plaster cast of the artist\u2019s face as an australopithecus anamensis helps the artist to transform into a fictional creature, a mixture between homo sapiens and australopithecus anamensis,\u00a0evoking notions of the art activist group Guerrilla Girls.<\/p>\n
Ylva Westerlund, was born in Husum, Sweden in 1975. She lives and works in Berlin and Malm\u00f6, Sweden. Her works have been exhibited, among other venues, at Centro Cultural Montehermoso in Vitoria-Gasteiz, the Living Art Museum in Reykjavik, and Bonniers Konsthall in Stockholm.<\/p>\n","protected":false},"template":"","categories":[],"class_list":["post-2312","kb_exhibition","type-kb_exhibition","status-publish","hentry"],"acf":{"article_image":2951,"article_image_bu_de":"","article_image_bu_en":"","datum_suche":"2012-06-22 10:18:03"},"yoast_head":"\n