{"id":30083,"date":"2021-03-19T16:27:31","date_gmt":"2021-03-19T16:27:31","guid":{"rendered":"https:\/\/zen-morse.176-96-136-90.plesk.page\/?post_type=kb_exhibition&p=30083"},"modified":"2021-03-22T15:58:55","modified_gmt":"2021-03-22T15:58:55","slug":"open-window-9","status":"publish","type":"kb_exhibition","link":"https:\/\/bethanien.de\/en\/exhibitions\/open-window-9\/","title":{"rendered":"OPEN WINDOW"},"content":{"rendered":"

I dreamt of Boris.
\n<\/em>He was sitting at the reception desk of your practice telling me: he is in a mood today, he is preparing the students for a competition.<\/em><\/p>\n

And it hit me,
\n<\/em>whilst I was waiting around for you, you were living the life. <\/em>I am in your practice, and yes, you are in a mood, but not because of the students or the competition, you are in a mood because I am there. You were so handsome, with those broad shoulders and biceps that flexed when you crossed your arms under your chest, placing your hands in your armpits. <\/em><\/p>\n

I woke up in tears,
\n<\/em>the kind which pulls out a sob\u2026 and yet, so scarcely they fall.\u00a0<\/em>A tear here and there, out of a dream, but from the reality, that, from me, you are gone. Forever.<\/em><\/p>\n

– Dante Buu<\/p>\n

and you\u2014do you die happy? <\/em>Dante Buu\u2019s first solo exhibition in Berlin showcases socialised pretence, normativity and performativity from the Open Window at K\u00fcnstlerhaus Bethanien, running daily March 25th through April 1st 2021, from 19:00-23:00.<\/p>\n

The centrepiece of Buu\u2019s exhibition is the long-durational performance and you\u2014do you die happy<\/em>?, <\/em>2021. Disembodied from space and time, the artist stands motionless, captured mid-phone call as he gazes wistfully out of the window. To an audience who cannot hear, his tear-stained mascara is the only hint. As an object in a window, overexposed yet barely graspable, the performance embodies the toxicity of the gendered binary and ruminates on love\u2019s lies in the midst of increasingly blurred boundaries between the private and the public, yet resists the inscribed narratives of external social actors and status signifiers.<\/p>\n

The video installation Weekend Lovers II (since\u00a0<\/em>2013 ongoing), builds upon this trajectory, exploring the notion of fake identities under patriarchal hegemony in the age of social media. Emanating from the triptych Weekend Lovers<\/em>, 2013\u2013ongoing, the video presents a girl and a boy, picture perfect in heteronormativity: but, what remains unseen, untold and unheard?<\/p>\n

OPEN WINDOW is a series of presentations by the artists-in-residence at K\u00fcnstlerhaus Bethanien,\u00a0who currently don\u2019t have the chance to show their work in the usual Open Studios and exhibitions.\u00a0Their works can be seen from the window front, Kottbusser Str 10 each day. Initiated by Arthur Debert.<\/p>\n","protected":false},"template":"","categories":[],"class_list":["post-30083","kb_exhibition","type-kb_exhibition","status-publish","hentry"],"acf":{"article_image":30080,"article_image_bu_de":"Dante Buu, and you\u2014do you die happy? (behind the scenes), 2021","article_image_bu_en":"Dante Buu, and you\u2014do you die happy? 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