{"id":30154,"date":"2021-04-07T08:14:05","date_gmt":"2021-04-07T08:14:05","guid":{"rendered":"https:\/\/zen-morse.176-96-136-90.plesk.page\/?post_type=kb_exhibition&#038;p=30154"},"modified":"2021-05-17T17:25:44","modified_gmt":"2021-05-17T17:25:44","slug":"styrmir-oern-gudmundsson","status":"publish","type":"kb_exhibition","link":"https:\/\/bethanien.de\/en\/exhibitions\/styrmir-oern-gudmundsson\/","title":{"rendered":"Styrmir \u00d6rn Gu\u00f0mundsson"},"content":{"rendered":"<p>At the entrance to Styrmir \u00d6rn Gu\u00f0mundsson&#8217;s solo exhibition <em>Earth, Water, Air, Fire<\/em> at K\u00fcnstlerhaus Bethanien, a black hole opens as an ink drawing on paper in contrasting colours. Thousands of shoes move in a circular motion until they gradually spaghettify. The first of two exhibition rooms opens with this humorous commentary critical of capitalism. The central works of the exhibition are four large-scale ink drawings on paper. Amidst the elements, one can trace the time the artist went through to make the drawing grow organically across the paper. The sounds of his &#8220;Organ Orchestra&#8221;, a series of ceramic instruments corresponding to the vital organs of the human body, flow through the space in accompaniment. Nature inside the body is made to resonate with the 4 elements that surround us.<\/p>\n<p>The second exhibition space &#8211; intimate, dimly lit, can only be visited alone and contains a series of drawings from the artist&#8217;s journal, the Graphic Novel Virus. It marks collective and very personal memories of what happened during the first wave of Covid-19 and the first changing experiences within a post-Covid world.<\/p>\n<p>Gu\u00f0mundsson&#8217;s work moves between performance, drawing, music, and sculpture, with a penchant for the absurd. Starting with stories, a drawing may evolve into music or a sculpture, which then becomes the beginning of a performance. He prefers not to know where his creations will take him, exploring new frontiers of the mind.<\/p>\n<p>Born in Reykjav\u00edk, Iceland, he now lives in Berlin. He has exhibited and performed internationally, most recently in <em>Autumn Bulbs II<\/em>, Reykjavik Art Museum (2020), <em>The\u00a0Thirteenth Month<\/em>, Gallery BERG Contemporary (2019) and <em>Trippy Tiptoe Tour<\/em> through Hreinn Fridfinnsson\u2019s exhibition <em>To Catch a Fish With a Song<\/em> at KW, Berlin (2019). When it was still possible, he toured through Europe with the performance <em>What Am I Doing With My Life?<\/em>, including appearances in the Lithuanian Pavilion at the Venice Biennale (2017). He is a grantee of the Icelandic Art Center. www.styrmir.eu<\/p>\n","protected":false},"template":"","categories":[],"class_list":["post-30154","kb_exhibition","type-kb_exhibition","status-publish","hentry"],"acf":{"article_image":30151,"article_image_bu_de":"Styrmir \u00d6rn Gu\u00f0mundsson, Graphic Novel Virus (Detail), 2020. Courtesy the artist.","article_image_bu_en":"Styrmir \u00d6rn Gu\u00f0mundsson, Graphic Novel Virus (detail), 2020. Courtesy the artist.","datum_suche":"2021-04-07 08:14:05"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Styrmir \u00d6rn Gu\u00f0mundsson - Bethanien %<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bethanien.de\/en\/exhibitions\/styrmir-oern-gudmundsson\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Styrmir \u00d6rn Gu\u00f0mundsson - Bethanien %\" \/>\n<meta property=\"og:description\" content=\"At the entrance to Styrmir \u00d6rn Gu\u00f0mundsson&#8217;s solo exhibition Earth, Water, Air, Fire at K\u00fcnstlerhaus Bethanien, a black hole opens as an ink drawing on paper in contrasting colours. Thousands of shoes move in a circular motion until they gradually spaghettify. The first of two exhibition rooms opens with this humorous commentary critical of capitalism. 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