{"id":30165,"date":"2021-04-07T08:11:40","date_gmt":"2021-04-07T08:11:40","guid":{"rendered":"https:\/\/zen-morse.176-96-136-90.plesk.page\/?post_type=kb_exhibition&#038;p=30165"},"modified":"2021-05-17T17:26:17","modified_gmt":"2021-05-17T17:26:17","slug":"hamlet-lavastida","status":"publish","type":"kb_exhibition","link":"https:\/\/bethanien.de\/en\/exhibitions\/hamlet-lavastida\/","title":{"rendered":"Hamlet Lavastida"},"content":{"rendered":"<p lang=\"en-US\"><em>Cultura Profil\u00e1ctica<\/em> &#8211; with this title Hamlet Lavastida opens his solo exhibition at K\u00fcnstlerhaus Bethanien, making use of a term from the health sector, which he believes has revealed numerous structures of a prophylactic culture during the pandemic, not only in his country of origin, Cuba, but worldwide.<\/p>\n<p><span lang=\"en-US\">Lavastida is showing two immersive installations made of paper cuts on opposite walls. On one side, the transcription of Javier Caso&#8217;s interrogation (from 2020), which went viral, is linked to a letter by the poet Heberto Padilla written to the revolutionary government in 1971.\u00a0<\/span>On the opposite wall, the artist displays a compiled archive of various iconographic and linguistic testimonies from the period in which the institutionalisation of socialism took place in Cuba, especially between the 1960s and 80s. Through his personal confrontation with the cultural archives, which are not recognised as such within Cuban society, Lavastida creates a register and demands a critical examination of Cuban history. In doing so, he criticises the lack of education and memory work in the social system of today&#8217;s Cuba.<\/p>\n<p lang=\"en-US\">The exhibition is accompanied by a catalogue including a text by Coco Fusco and Iv\u00e1n de la Nuez.<\/p>\n<p><span lang=\"en-US\">Hamlet Lavastida<\/span><span lang=\"en-US\"> (*1983 in Havana\/Cuba, lives and works in Havana) works with posters, prints, collages, photos and videos. His work, in the sense of representative archaeology, arose from the need to create an objective criterion for certain hidden areas of the implementation, administration and functioning of state political practices in Cuba. Central to Lavastida&#8217;s artistic practice is the re-appropriation of texts, images and symbols, as well as political speeches and ideological terminologies, which he questions critically within the framework of his work. The relevant factor is their reinterpretation using the same or a similar format to that in which they were originally created.\u00a0<\/span><span lang=\"en-US\">Hamlet Lavastida<\/span><span lang=\"en-US\"> is a grantee of the KfW Stiftung.<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"template":"","categories":[],"class_list":["post-30165","kb_exhibition","type-kb_exhibition","status-publish","hentry"],"acf":{"article_image":30248,"article_image_bu_de":"Hamlet Lavastida, Cultura Profil\u00e1ctica (Detail), 2021, Papierschnitt auf Wand. Courtesy the artist.","article_image_bu_en":"Hamlet Lavastida, Cultura Profil\u00e1ctica (detail), 2021, papercut on wall. Courtesy the artist.","datum_suche":"2021-04-07 08:11:40"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Hamlet Lavastida - Bethanien %<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bethanien.de\/en\/exhibitions\/hamlet-lavastida\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hamlet Lavastida - Bethanien %\" \/>\n<meta property=\"og:description\" content=\"Cultura Profil\u00e1ctica &#8211; with this title Hamlet Lavastida opens his solo exhibition at K\u00fcnstlerhaus Bethanien, making use of a term from the health sector, which he believes has revealed numerous structures of a prophylactic culture during the pandemic, not only in his country of origin, Cuba, but worldwide. 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