{"id":30616,"date":"2021-05-31T13:54:02","date_gmt":"2021-05-31T13:54:02","guid":{"rendered":"https:\/\/zen-morse.176-96-136-90.plesk.page\/?post_type=kb_exhibition&#038;p=30616"},"modified":"2021-05-31T14:00:30","modified_gmt":"2021-05-31T14:00:30","slug":"santiago-mostyn","status":"publish","type":"kb_exhibition","link":"https:\/\/bethanien.de\/en\/exhibitions\/santiago-mostyn\/","title":{"rendered":"Santiago Mostyn"},"content":{"rendered":"<p class=\"p1\">To enter Santiago Mostyn\u2019s exhibition space at K\u00fcnstlerhaus Bethanien, one passes by a wall work conceived as the \u2018reverse side\u2019 of the main installation. The wall is covered with reproductions of pages from <em>Jet Magazine<\/em>, accompanied by the double-sided photographic work <em><span class=\"s1\">Ghost\/Monument<\/span><\/em>. Sharing a single frame, <em><span class=\"s1\">Ghost<\/span><\/em> is an image that appeared on a roll of film after processing photographs from Hoyerswerda, a town in former East Germany with a history of xenophobic attacks against foreigners. <em><span class=\"s1\">Monument<\/span><\/em> is the rear view of a sculpture that once stood outside the National Museum in Stockholm.<\/p>\n<p class=\"p1\">The navigation of bodies in space is central to the reading of the two video works in the main exhibition space. <em><span class=\"s1\">How Important is Speed in a Revolution?<\/span><\/em> and <em><span class=\"s1\">Walker Association <\/span><\/em>are both extracts from an on-going visual research framework that considers the presence of the Black, male body in certain political spaces. Shown on opposite walls, one video consists of television footage from the 45th US presidential inauguration with the speeches and performances edited out, while the other \u2013<em><span class=\"s1\"> Walker Association <\/span><\/em>\u2013 documents the artist\u2019s own interactions with Caribbean men cruising in Prospect Park, Brooklyn. The works are separated by a threshold of red pigment powder that we understand visually as a red carpet. The installation changes over the course of the exhibition by recording the tracks of the visitors.<\/p>\n<p class=\"p1\">In a separate screening room, Mostyn shows the video work <em><span class=\"s1\">Altarpiece<\/span><\/em>, which explores the choreography of state control, and the euphoric release that can be triggered in the body under these conditions. The images and audio recordings have been gathered over four years, tracing links between presidential ceremonies in the US and Zimbabwe, J\u2019ouvert celebrations and a story about soucouyant (a shape-shifting Caribbean folklore character) from Trinidad, Malcolm X perspiring, an interview with a Rhodesian soldier, and images of a childhood friend\u2019s first son.<\/p>\n<p class=\"p1\"><span class=\"s2\">Santiago Mostyn<\/span> (b. 1981) is based in Sweden but maintains strong ties to Zimbabwe and Trinidad &amp; Tobago, the countries of his upbringing. He has exhibited widely at venues including the 12th Rencontres de Bamako (2019), Institut Su\u00e9dois Paris (2019), Gothenburg Biennial (2017), Moderna Museet (2016), and Performa 13 in New York. Mostyn co-curated <em><span class=\"s1\">With the Future Behind Us<\/span><\/em> at the Moderna Museet (2018). Mostyn is a grantee of IASPIS, the Swedish Arts Grants Committee. The exhibition is kindly supported by the Berlin Senate for Culture and Europe &#8211; Department Culture.<\/p>\n","protected":false},"template":"","categories":[],"class_list":["post-30616","kb_exhibition","type-kb_exhibition","status-publish","hentry"],"acf":{"article_image":30606,"article_image_bu_de":"Santiago Mostyn, Ghost\/Monument (Detail), 2021, zwei archivtaugliche Tintendrucke in doppelseitigem Eichenholzrahmen. Courtesy the artist und Andr\u00e9hn-Schiptjenko Stockholm \/ Paris","article_image_bu_en":"Santiago Mostyn, Ghost\/Monument (detail), 2021, two archival inkjet prints in double- sided oak frame. Courtesy the artist and Andr\u00e9hn-Schiptjenko Stockholm \/ Paris","datum_suche":"2021-05-31 13:54:02"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Santiago Mostyn - Bethanien %<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bethanien.de\/en\/exhibitions\/santiago-mostyn\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Santiago Mostyn - Bethanien %\" \/>\n<meta property=\"og:description\" content=\"To enter Santiago Mostyn\u2019s exhibition space at K\u00fcnstlerhaus Bethanien, one passes by a wall work conceived as the \u2018reverse side\u2019 of the main installation. 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