{"id":31014,"date":"2021-09-02T15:10:32","date_gmt":"2021-09-02T15:10:32","guid":{"rendered":"https:\/\/zen-morse.176-96-136-90.plesk.page\/?post_type=kb_exhibition&#038;p=31014"},"modified":"2021-10-04T09:53:23","modified_gmt":"2021-10-04T09:53:23","slug":"kandis-friesen","status":"publish","type":"kb_exhibition","link":"https:\/\/bethanien.de\/en\/exhibitions\/kandis-friesen\/","title":{"rendered":"Kandis Friesen"},"content":{"rendered":"<p>Kandis Friesen&#8217;s solo exhibition\u00a0<em>These arms of mine <\/em>is grounded inthe relations of the materiality of stone, memory, and power. Thinking through their distributed formations in the world around us \u2013 as in architectures, monuments or landscapes \u2013 the artist began this work with the Schwerbelastungsk\u00f6rper (german:Heavy Load-Bearing Body), a giant concrete column in the Tempelhof district of Berlin. Built during the National Socialist era in 1941 using forced labour it was used to test the suitability of the swampy Berlin soil as part of the redesign plans to transform Berlin into the &#8220;world capital Germania&#8221;. Since the massive cylinder could not be removed after World WarII, it remained as a monument itself and has been steadily sinking further into the groundever since.<\/p>\n<p>Drawing on the form, material, and sound-image of stone structures in the city and beyond, the exhibition functions as a montaged site, where processes of construction and circulation overlap. Using dimensional lumber, sound blankets, found objects, field recordings in video and sound\u2013 the installation is joined through Friesen\u2019s poetic script, a &#8220;film without images&#8221; about the temporality and materiality of stone. In this experimental narrative, leaps between time and place emerge. It connects the imperial with the individual, places of remembrance with places of destruction, and legacies of violence with legacies of power and wealth. <em>These arms of mine\u00a0<\/em>is part of an ongoing series of works that explore sound and monuments as site-specific, resonant materials.<\/p>\n<p>Friesen&#8217;s work mainly uses collage and assemblage to sort ways of seeing surfaces and their sounds. She uses the acoustics of architectures, song, spoken language and oral history to create acoustic territories that can be heard and felt. Her montage process leads to the construction of a &#8220;diasporic site-specificity&#8221;, through which the fixed can be refused, andconstantly changing structures can be made visible.<\/p>\n<p>Kandis Friesen (b. 1978) is an interdisciplinary artist based in Tiohti\u00e0:ke\/Montr\u00e9al and Berlin. In 2022, she will present a major solo exhibition at the Museum of Modern Art, Odessa, Ukraine. She recently presented solo exhibitions at Plug In ICA (Winnipeg, Treaty 1 territory), TRUCK Contemporary Art (Mohkinstsis\/Calgary) and the Chicago Architecture Biennial at the Roman Susan Art Foundation (Zhigaagong\/Chicago). As a filmmaker, she has been featured at the FIFA Festival International du Film sur l&#8217;Art and the Jihlava International Film Festival. Kandis Friesen is a grantee of the Conseil des arts et des lettres du Qu\u00e9bec, the Minist\u00e8re des Relations internationales et de la Francophonie\u00a0du Qu\u00e9bec and the Qu\u00e9bec Government Office in Berlin.<\/p>\n<p>The access to the exhibition is only granted for recovered, vaccinated and tested persons. A valid test or complete vaccination must be shown at the entrance. Recovered persons must present a positive PCR test result that is at least 28 days and no more than 6 months old. Thank you for your understanding.<\/p>\n","protected":false},"template":"","categories":[],"class_list":["post-31014","kb_exhibition","type-kb_exhibition","status-publish","hentry"],"acf":{"article_image":30988,"article_image_bu_de":"Kandis Friesen, Untitled (These arms of mine), 2021, detail,  Archivdruck. Courtesy the artist","article_image_bu_en":"Kandis Friesen, Untitled (These arms of mine), 2021, detail, archival inkjet print. Courtesy the artist","datum_suche":"2021-09-02 15:10:32"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Kandis Friesen - Bethanien %<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bethanien.de\/en\/exhibitions\/kandis-friesen\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kandis Friesen - Bethanien %\" \/>\n<meta property=\"og:description\" content=\"Kandis Friesen&#8217;s solo exhibition\u00a0These arms of mine is grounded inthe relations of the materiality of stone, memory, and power. Thinking through their distributed formations in the world around us \u2013 as in architectures, monuments or landscapes \u2013 the artist began this work with the Schwerbelastungsk\u00f6rper (german:Heavy Load-Bearing Body), a giant concrete column in the Tempelhof [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/bethanien.de\/en\/exhibitions\/kandis-friesen\/\" \/>\n<meta property=\"og:site_name\" content=\"Bethanien\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/kuenstlerhausbethanien\" \/>\n<meta property=\"article:modified_time\" content=\"2021-10-04T09:53:23+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/bethanien.de\/wp-content\/uploads\/2022\/11\/cropped-Favicon_512x512.png\" \/>\n\t<meta property=\"og:image:width\" content=\"512\" \/>\n\t<meta property=\"og:image:height\" content=\"512\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/bethanien.de\\\/en\\\/exhibitions\\\/kandis-friesen\\\/\",\"url\":\"https:\\\/\\\/bethanien.de\\\/en\\\/exhibitions\\\/kandis-friesen\\\/\",\"name\":\"Kandis Friesen - Bethanien %\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/bethanien.de\\\/#website\"},\"datePublished\":\"2021-09-02T15:10:32+00:00\",\"dateModified\":\"2021-10-04T09:53:23+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/bethanien.de\\\/en\\\/exhibitions\\\/kandis-friesen\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/bethanien.de\\\/en\\\/exhibitions\\\/kandis-friesen\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/bethanien.de\\\/en\\\/exhibitions\\\/kandis-friesen\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Startseite\",\"item\":\"https:\\\/\\\/bethanien.de\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Ausstellungen\",\"item\":\"https:\\\/\\\/bethanien.de\\\/exhibitions\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Kandis Friesen\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/bethanien.de\\\/#website\",\"url\":\"https:\\\/\\\/bethanien.de\\\/\",\"name\":\"K\u00fcnstlerhaus Bethanien\",\"description\":\"Das K\u00fcnstlerhaus Bethanien bietet ein Netzwerk, das den internationalen Kulturaustausch st\u00e4rkt und Berlin als Zentrum der zeitgen\u00f6ssischen Kunst weiter etabliert.\",\"publisher\":{\"@id\":\"https:\\\/\\\/bethanien.de\\\/#organization\"},\"alternateName\":\"KB\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/bethanien.de\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/bethanien.de\\\/#organization\",\"name\":\"K\u00fcnstlerhaus Bethanien\",\"url\":\"https:\\\/\\\/bethanien.de\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/bethanien.de\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/bethanien.de\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/cropped-Favicon_512x512.png\",\"contentUrl\":\"https:\\\/\\\/bethanien.de\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/cropped-Favicon_512x512.png\",\"width\":512,\"height\":512,\"caption\":\"K\u00fcnstlerhaus Bethanien\"},\"image\":{\"@id\":\"https:\\\/\\\/bethanien.de\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/kuenstlerhausbethanien\",\"https:\\\/\\\/www.instagram.com\\\/kuenstlerhaus.bethanien\\\/\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Kandis Friesen - Bethanien %","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/bethanien.de\/en\/exhibitions\/kandis-friesen\/","og_locale":"en_US","og_type":"article","og_title":"Kandis Friesen - Bethanien %","og_description":"Kandis Friesen&#8217;s solo exhibition\u00a0These arms of mine is grounded inthe relations of the materiality of stone, memory, and power. 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