{"id":31027,"date":"2021-09-02T15:21:05","date_gmt":"2021-09-02T15:21:05","guid":{"rendered":"https:\/\/zen-morse.176-96-136-90.plesk.page\/?post_type=kb_exhibition&#038;p=31027"},"modified":"2021-10-04T09:52:45","modified_gmt":"2021-10-04T09:52:45","slug":"sara-roennbaeck","status":"publish","type":"kb_exhibition","link":"https:\/\/bethanien.de\/en\/exhibitions\/sara-roennbaeck\/","title":{"rendered":"Sara R\u00f6nnb\u00e4ck"},"content":{"rendered":"<p>In <em>Liminal Observations<\/em>, the artist Sara R\u00f6nnb\u00e4ck deals with changes of materials in urban space, as well as in nature. Her sculptures and installations are reminiscent of plastiglomerates, a term used to describe the coming and holding together of different sediments by means of molten plastic. Like the striking &#8220;bowerbird&#8221;, which sorts and collects the same colour or shape to decorate its futuristic-looking nest, R\u00f6nnb\u00e4ck searches for material in her surroundings and transports it to her studio, where the blossoms, leaves, twigs or stones, as well as plastic parts or bottle tops are then examined for their potential. A floor work that runs through the room in organic, flowing forms becomes the setting for her hybrid sculptures, which were created from her collection. As in much of her work, the relationships between time, body and space are central.<\/p>\n<p>&#8220;Liminality&#8221; as an anthropological term is currently undergoing a major revival. Originally, it described the threshold state in which individuals or groups find themselves after they have ritually detached themselves from one system in order to be able to accept new ones. In view of the drastic ecological changes we are confronted with, reception is expanding away from the individual towards a holistic understanding of the liminal conditions in our environment. In this sense, the exhibition provides a very personal insight into what the artist perceives to be an ongoing evolution. In addition to the expansive installation, R\u00f6nnb\u00e4ck displays her journal in an intimate setting, revealing notes, photographs and studies of her recent experiences between asphalt-covered Berlin and the nature outside her home in the Swedish provinces, near the Norwegian border.<\/p>\n<p>Sara R\u00f6nnb\u00e4ck *1988, lives in Oslo and V\u00e4rmland, Sweden. Her recent exhibitions include <em>Ephemeral Situations<\/em>, NoPlace, Oslo (2017), <em>Box Summer Studio<\/em>, R\u00f6hsska Museum, Gothenburg, <em>Consciousness in the Time of Kairos<\/em>, Kurant, Troms\u00f8 (2018), <em>Fragile Times<\/em>, Galerie im K\u00f6rnerpark, Berlin (2020). Since 2015, she has been working with Daniel Sl\u00e5ttnes on the project <em>Conversation between Bodies<\/em>, which has been shown in various formats at BOA, Atelier Nord and RAM Galleri in Oslo, Kunstmuseet in Nord-Tr\u00f8nderlag, Aldea in Bergen, Rackstadmuseet Arvika and Oppland Kunstsenter, Lillehammer, among other places. Her upcoming exhibitions will be shown at Kongsvinger Kunstforening (2021) and Kunstnerforbundet, Oslo (2022). Sara R\u00f6nnb\u00e4ck is a grantee of the Office for Contemporary Art Norway-OCA.<\/p>\n<p>The access to the exhibition is only granted for recovered, vaccinated and tested persons. A valid test or complete vaccination must be shown at the entrance. Recovered persons must present a positive PCR test result that is at least 28 days and no more than 6 months old. Thank you for your understanding.<\/p>\n","protected":false},"template":"","categories":[],"class_list":["post-31027","kb_exhibition","type-kb_exhibition","status-publish","hentry"],"acf":{"article_image":30994,"article_image_bu_de":"Sara R\u00f6nnb\u00e4ck, Liminal Observations, 2021. Courtesy the artist","article_image_bu_en":"Sara R\u00f6nnb\u00e4ck, Liminal Observations, 2021. 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