{"id":3368,"date":"2013-07-09T13:18:21","date_gmt":"2013-07-09T13:18:21","guid":{"rendered":"https:\/\/zen-morse.176-96-136-90.plesk.page\/?post_type=kb_exhibition&#038;p=3368"},"modified":"2013-07-09T13:18:32","modified_gmt":"2013-07-09T13:18:32","slug":"yunchul-kim","status":"publish","type":"kb_exhibition","link":"https:\/\/bethanien.de\/en\/exhibitions\/yunchul-kim\/","title":{"rendered":"Yunchul Kim"},"content":{"rendered":"<p>Yunchul Kim&#8217;s works can be located in the extensive border area between art and science. Their character suggests a resemblance to experimental physical set-ups, making use of natural scientific laws such as acoustics, light refraction or magnetism, and exercising a tremendous pull on the viewer with their subtly devised method of functioning and the beauty of the colours and structures they generate.<\/p>\n<p>&#8220;Epiphora&#8221; is the first work of a series that Kim began in 2009, examining the elements water, fire, air and earth. In this context, &#8220;Epiphora&#8221; stands for affinities to water as an element. Black magnetic fluid surrounded by a clear liquid pulsates at the centre of a kind of imaginary organ, while another organ in the form of a branching glass pipe is attached to the wall. They react to each other and appear to communicate with one another.<\/p>\n<p>&#8220;Amorph&#8221; (Amorphous) is the title of the new exhibition by Yunchul Kim now being shown in K\u00fcnstlerhaus Bethanien. In addition to &#8220;Epiphora&#8221; and some older works, it also presents 5 new pieces by the South Korean artist. Here, on the whole, the connection is retained to water &#8211; to liquid &#8211; as in &#8220;Epiphora&#8221;, but there is also a tendency towards the element of fire. In this context, one might recall a statement by Novalis, who described water as a wet flame. Yunchul Kim views his work as being anchored in a very similar way.<\/p>\n<p>In the exhibition space &#8211; a \u2018laboratory\u2019, which the artist calls &#8220;Mare Imbrium&#8221; &#8211; Kim creates a fictive, imaginary world, and when referring to the apparatuses that he exhibits, he talks about &#8220;pataphorical objects&#8221;. So here we are operating in the world of the extended metaphor, whereby the artist attempts to build bridges with his art, to develop a fluid transition between art and science.<\/p>\n","protected":false},"template":"","categories":[],"class_list":["post-3368","kb_exhibition","type-kb_exhibition","status-publish","hentry"],"acf":{"article_image":3366,"article_image_bu_de":"","article_image_bu_en":"","datum_suche":"2013-07-09 13:18:21"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Yunchul Kim - Bethanien %<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bethanien.de\/en\/exhibitions\/yunchul-kim\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Yunchul Kim - Bethanien %\" \/>\n<meta property=\"og:description\" content=\"Yunchul Kim&#8217;s works can be located in the extensive border area between art and science. 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