In the face of persisting social stigmatisation, professional discrimination, gender pay and data gaps, domestic violence and femicide more than a century after the emergence of the first major women*\u2019s movements \u2013 the suffragettes in Great Britain and the USA \u2013 it appears that women*, trans and non-binary people are still politically and socially heavily disadvantaged compared to men*. Against this backdrop, we witness a constant stream of new (queer) feminist manifestos as emblematic statements, in which anger, critical dissent and calls for structural transformations and equality find an explicit form of expression. Their demands resonate on the streets and in song lyrics, appear on posters and in books, and go viral on the Internet. The common element that unites them is a demand for empowerment and self-affirmation. Thanks to their distinctive linguistic and formal characteristics, combined with a fascinating scope of themes and individual perspectives, manifestos form a central element of feminist art history in the twentieth and twenty-first centuries. <\/p>\n
The exhibition MANIFEST Yourself!<\/em> retraces the development of (queer) feminist manifestos through a selection of public, often politically motivated statements issued by women*, trans and non-binary people in different contexts. These various feminisms have evolved from the white<\/em> and academically influenced beginnings of the 1960s and 1970s towards an inter- sectional understanding: besides categories such as biological sex and gender identity, age or (dis)ability, and class or religious affiliation, experiences of discrimination caused by segregation, colonial power structures or late-capitalist work conditions are increasingly coming into focus. In parallel with the #MeToo movement, which in recent years has led many prominent women* to express their dissent collectively, Black Feminism has gained a noticeable presence in society as a whole, amplified since 2013 by the #BlackLivesMatter movement. The detrimental objectification of the natural environment is also increasingly reflected in feminist manifestos, as ecological awareness and criticism of predominantly male-coded destructive violence and hubris are gaining ground. At the same time, more and more influential statements by women*, trans and non-binary people are emerging in techno- and cyberspace \u2013 from cyborgs and technoid slime to Glitch Feminism.<\/p>\n The exhibition MANIFEST Yourself!<\/em> aims to demonstrate the unabated vitality of (queer) feminist manifesto culture since the suffragettes and reflect its variegated, sometimes contradictory aspects. To do so, it surveys different regions, cultural contexts and media. For the first time, it includes manifestos in the form of texts, sculptural objects, installations, soundtracks, videos and performances, as well as documents on the history of feminist manifestos. Numerous manifestos will be made accessible in a research lounge and in the publication accompanying the exhibition. The cooperation partners alpha nova & galerie futura, re.act.feminism e.V., the Academic Network of Eastern Europe e.V. as well as Elena Zanichelli (Mariann Steegmann Institut | Kunst & Gender) and students of the University of Bremen are planning the presentation of their own projects in dialogue with the exhibition theme. On the opening night, FRZNTE and lu\u00efza luz will realize a Pole Sound Performance developed for MANIFEST Yourself!<\/em> <\/p>\n Participating artists: Ouassila Arras, Rufina Bazlova, Lynda Benglis, Monica Bonvicini, Lizzie Borden, Andrea Bowers, Janet Burchill\/Jennifer McCamley, Ulrike Flaig, Ceal Floyer, FRZNTE\/Kolbeinn Hugi, Regina Jos\u00e9 Galindo, Guerrilla Girls, Holzinger\/Sahihi, Bojana S. Kne\u017eevi\u0107\/Katarina Petrovi\u0107 (Femkanje), LASTESIS x Pussy Riot, Signe Pierce\/Alli Coates, Tabita Rezaire, Marinella Senatore, Beth Stephens\/Annie Sprinkle, VNS Matrix, Del LaGrace Volcano, and Billie Zangewa<\/p>\n Curated by Valeria Schulte-Fischedick Kindly supported by State of Berlin \u2013 Senate Department for Culture and Europe and LOTTO-Stiftung Berlin.<\/p>\n
\nAssistant Curator: Luise von Nobbe<\/p>\n
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<\/a><\/p>\n","protected":false},"template":"","categories":[],"class_list":["post-34312","kb_exhibition","type-kb_exhibition","status-publish","hentry"],"acf":{"article_image":34302,"article_image_bu_de":"Billie Zangewa, The Rebirth of the Black Venus, 2010, Seidenteppich (handbestickte Seidencollage), 135 \u00d7 100 cm, Courtesy Collection Gervanne + Matthias Leridon, \u00a9 JWWhite\/Phocasso","article_image_bu_en":"Billie Zangewa, The Rebirth of the Black Venus, 2010, Silk tapestry (hand-embroidered silk collage), 135 \u00d7 100 cm, Courtesy Collection Gervanne + Matthias Leridon, \u00a9 JWWhite\/Phocasso","datum_suche":"2022-10-21 09:22:57"},"yoast_head":"\n