{"id":35709,"date":"2023-08-17T11:49:43","date_gmt":"2023-08-17T11:49:43","guid":{"rendered":"https:\/\/zen-morse.176-96-136-90.plesk.page\/?post_type=kb_exhibition&#038;p=35709"},"modified":"2023-09-21T08:51:49","modified_gmt":"2023-09-21T08:51:49","slug":"martin-desilets","status":"publish","type":"kb_exhibition","link":"https:\/\/bethanien.de\/en\/exhibitions\/martin-desilets\/","title":{"rendered":"Martin D\u00e9silets"},"content":{"rendered":"<p>\u201cI recently gained access to the storage rooms of the Goya Museum in Castres, France. With my 400-megapixel camera, I photographed each of the eighty engravings that make up Francisco Goya\u2019s <em>The Disasters of War<\/em>, which I then superimposed to form an ensemble, or image. I printed the result in very large format, ten times the size of the original works, in order to provoke a physical encounter with the viewer similar to that imposed by Goya\u2019s <em>Black Paintings<\/em> series\u2014but here without iconography and without images, or rather, with all the images and all of Goya\u2019s ghosts. <\/p>\n<p>Superimposing <em>The Disasters of War<\/em> is a project that has haunted me for years. I was waiting for a rare alignment of the planets and the arrival on the market of a sufficiently powerful camera. If the invasion of Ukraine by Russia is not at the origin of this project, this situation has nevertheless exacerbated in me a sense of urgency and necessity. At this very moment, in the real world, the disasters of war continue to pile up. <em>All the Disasters of War<\/em> shows perhaps what we do not see, or what we do not want to see. <\/p>\n<p><em>All the Disasters of War<\/em> is the first of a series of large-scale works based on Francisco Goya. Lodged between \u201ctoo much\u201d and disappearance, this work is a continuation of my recent and current research, in particular <em>Mati\u00e8re noire<\/em> [Dark Matter], which has occupied most of my time for several years now.\u201d (MD)<\/p>\n","protected":false},"template":"","categories":[],"class_list":["post-35709","kb_exhibition","type-kb_exhibition","status-publish","hentry"],"acf":{"article_image":35754,"article_image_bu_de":"","article_image_bu_en":"","datum_suche":"2023-08-17 11:49:43"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Martin D\u00e9silets - Bethanien %<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bethanien.de\/en\/exhibitions\/martin-desilets\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Martin D\u00e9silets - Bethanien %\" \/>\n<meta property=\"og:description\" content=\"\u201cI recently gained access to the storage rooms of the Goya Museum in Castres, France. With my 400-megapixel camera, I photographed each of the eighty engravings that make up Francisco Goya\u2019s The Disasters of War, which I then superimposed to form an ensemble, or image. 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