{"id":36152,"date":"2024-01-26T14:38:49","date_gmt":"2024-01-26T14:38:49","guid":{"rendered":"https:\/\/zen-morse.176-96-136-90.plesk.page\/?post_type=kb_exhibition&#038;p=36152"},"modified":"2024-02-01T09:22:35","modified_gmt":"2024-02-01T09:22:35","slug":"douglas-kolk","status":"publish","type":"kb_exhibition","link":"https:\/\/bethanien.de\/en\/exhibitions\/douglas-kolk\/","title":{"rendered":"Douglas Kolk"},"content":{"rendered":"<p>Douglas Kolk (1963, Newark\u20142014, Boston) was a USA-born and based artist whose life and practice were closely intertwined with Berlin\u2019s artistic milieu of the 1990s. Kolk\u2019s work revolved around questions of identity, initially through small-format drawings and later through large-format collages combined with painting. The exhibition at K\u00fcnstlerhaus Bethanien, featuring Douglas Kolk\u2019s works from the collections in Berlin, marks his first retrospective in more than a decade, inviting us to rethink the current image of the 1990s pop culture. Kolk delved into processes of self-loss and self-recognition through identification with youth subcultures, to which he was particularly sensitive in terms of their visual dialects.<\/p>\n<p>Kolk extracted clich\u00e9s from various media of his era\u2014the language of advertisement and glamour in the 1980s and early 1990s, commercialised underground culture, drug addiction, apocalyptic prophecies, anime, popular movies such as Matrix, bands like Depeche Mode,\u2014and repurposed those as recycled material in his artistic production. Kolk\u2019s characters, sometimes high but always trendy and stylish, are trapped  in a perpetual search for themselves. Yet, what they encounter are only phrases reminiscent of lines from rock hits or magazine headlines: \u201ceveryday is everyday, Boys\u201d; \u201cThis isn\u2019t home, forest girl\u201d. These words, alongside casts of popular media images and graffiti tags, explain nothing, paving the way for the melancholy and repetitiveness within the series. Some of Kolk\u2019s heroes and heroines, unable to define themselves in any other manner, reveal themselves through a grotesque emotional display\u2014the embodiment of their presence. As the art historian Oliver Zybok puts it, Kolk\u2019s works show that the human being who becomes the object of their own investigation is so complexly human that it cannot be explained with concepts derived from scientific theories.<\/p>\n<p>The artist himself noted that the 1990s were big for him. During that time, Kolk achieved success with his first group show at New York&#8217;s David Zwirner and started a long-lasting collaboration with Matthias Arndt, resulting in Kolk\u2019s personal exhibitions at Arndt &#038; Partner in Berlin in 1994, 1998, and 2006. Kolk also presented solo exhibitions at Kasseler Kunstverein, K\u00fcnstlerverein Malkasten (Dusseldorf), Museum van Hedendaagse Kunst (Ghent), Kunsthalle St. Gallen, and Stephen Friedman Gallery (London).<\/p>\n<p>With kind support from the Arndt Art Agency Berlin, Melbourne.<\/p>\n","protected":false},"template":"","categories":[],"class_list":["post-36152","kb_exhibition","type-kb_exhibition","status-publish","hentry"],"acf":{"article_image":36149,"article_image_bu_de":"","article_image_bu_en":"","datum_suche":"2024-01-26 14:38:49"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Douglas Kolk - Bethanien %<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bethanien.de\/en\/exhibitions\/douglas-kolk\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Douglas Kolk - Bethanien %\" \/>\n<meta property=\"og:description\" content=\"Douglas Kolk (1963, Newark\u20142014, Boston) was a USA-born and based artist whose life and practice were closely intertwined with Berlin\u2019s artistic milieu of the 1990s. 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