{"id":49645,"date":"2026-02-25T13:43:28","date_gmt":"2026-02-25T13:43:28","guid":{"rendered":"https:\/\/bethanien.de\/exhibitions\/pleasure-garden\/"},"modified":"2026-02-25T15:59:17","modified_gmt":"2026-02-25T15:59:17","slug":"pleasure-garden","status":"publish","type":"kb_exhibition","link":"https:\/\/bethanien.de\/en\/exhibitions\/pleasure-garden\/","title":{"rendered":"Pleasure garden"},"content":{"rendered":"<p>Louise Paramor, born 1964 in Sydney, is a guest at K\u00fcnstlerhaus Bethanien for one year in 1999\/2000 as part of the International Studio Program of the Australia Council, Visual Arts\/Craft Board. <\/p>\n<p>Louise Paramor obtains her working materials from the almost inexhaustible pool of everyday objects &#8211; cheap, small decorative objects and materials made of fabric, plastic foil, silver foil, wire or paper, which are mass-produced, especially in Asian countries.<\/p>\n<p>The Australian artist currently prefers to work with a special paper known as &#8220;honey-comb paper&#8221;. This honeycomb paper is created by layering and gluing paper, which is then unfolded in different directions according to a specific system to create three-dimensional shapes. <\/p>\n<p>For her exhibition <em>Lustgarten<\/em> in Studio III, Paramor has painstakingly crafted oversized sculptures by hand from honeycomb paper in various colors, varying the shapes of the machine-made decorative objects that served as models and translating them into larger-than-life dimensions. Visitors walking among the sculptures may indeed be reminded of a baroque pleasure garden &#8211; an impression that is reinforced by the playful, colorful lighting and the green color scheme of the room. The origin of the shapes of Paramor&#8217;s objects remains undefined; here and there they have an oriental feel or typically baroque curves. The sculptures of the &#8220;pleasure garden&#8221; placed on the floor are reminiscent of those baroque boxwood plants that were shaped into unconventional aesthetic objects by imaginative gardeners of the era.   <\/p>\n<p><em>Lustgarten<\/em> is a magnificent theatrical production that seems to celebrate itself in its opulence. In contrast to the pure form often proclaimed in modernist theory, Paramor&#8217;s paper sculptures celebrate ornament and decoration on a highly sensual level. <\/p>\n","protected":false},"template":"","categories":[],"class_list":["post-49645","kb_exhibition","type-kb_exhibition","status-publish","hentry"],"acf":{"article_image":49625,"article_image_bu_de":"Foto: David Brandt","article_image_bu_en":"Photo: David Brandt","datum_suche":"2000-01-28 00:00:00"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Pleasure garden - Bethanien %<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bethanien.de\/en\/exhibitions\/pleasure-garden\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pleasure garden - Bethanien %\" \/>\n<meta property=\"og:description\" content=\"Louise Paramor, born 1964 in Sydney, is a guest at K\u00fcnstlerhaus Bethanien for one year in 1999\/2000 as part of the International Studio Program of the Australia Council, Visual Arts\/Craft Board. 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