{"id":8129,"date":"2013-03-25T12:35:05","date_gmt":"2013-03-25T12:35:05","guid":{"rendered":"https:\/\/zen-morse.176-96-136-90.plesk.page\/?post_type=kb_exhibition&#038;p=8129"},"modified":"2013-04-03T15:21:44","modified_gmt":"2013-04-03T15:21:44","slug":"roey-heifetz","status":"publish","type":"kb_exhibition","link":"https:\/\/bethanien.de\/en\/exhibitions\/roey-heifetz\/","title":{"rendered":"Roey Heifetz"},"content":{"rendered":"<p>Roey Heifetz&#8217; most recent work consists of drawings of oversized figures that seem to float in front of the white paper background. The artist often provides them with generic titles such as \u201cThe Secretary\u201d, \u201cThe Librarian\u201d or \u201cThe Teacher\u201d and subjects them to an intense process of deconstruction. The act of drawing is important to him rather than the story of the characters, which always remains untold. The artist enters into an intense dialogue with his works, which the enigmatic fascination to his figures in the field of conflict between figuration and abstraction, uniformity and precise details.<br \/>\nThe key work of his current exhibition is <em>The Teacher&#8217;s Nap<\/em> (2011), Heifetz\u2019 first horizontally oriented drawing. It shows a long, stretched-out figure \u2013 the teacher \u2013 lying down at a moment of relaxation and thus loss of control. Heifetz\u2019 work consciously creates ambivalence and leaves the viewer uncertain whether the recumbent woman is asleep or already showing the first signs of physical deterioration in death. He creates a floating state between alertness and sleep, life and death \u2013 and so hits on that cathartic moment when the process of losing control and separation from reality begins. On the upper floor of the gallery space the visitor is then truly overwhelmed by a remarkable installation comprising oversized drawings arranged as a kind of walk-in &#8216;cabinet&#8217;. The figures seem simultaneously strong and vulnerable, radiating as much glamour as decadence: here, they enter into an intense relation with the viewer, so involving him\/her in the associative interplay of the characters that Heifetz represents.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"template":"","categories":[],"class_list":["post-8129","kb_exhibition","type-kb_exhibition","status-publish","hentry"],"acf":{"article_image":8123,"article_image_bu_de":"","article_image_bu_en":"","datum_suche":"2013-03-25 12:35:05"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Roey Heifetz - Bethanien %<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bethanien.de\/en\/exhibitions\/roey-heifetz\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Roey Heifetz - Bethanien %\" \/>\n<meta property=\"og:description\" content=\"Roey Heifetz&#8217; most recent work consists of drawings of oversized figures that seem to float in front of the white paper background. The artist often provides them with generic titles such as \u201cThe Secretary\u201d, \u201cThe Librarian\u201d or \u201cThe Teacher\u201d and subjects them to an intense process of deconstruction. 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